This work takes specialty paper, along with rocks and branches from Jinshanling, as its primary mediums and is displayed in the semi-open space of Shangyuan. As the wind passes through the installation, it stirs subtle collisions between the materials, creating a shifting soundscape.The wind becomes an invisible participant, shaping the final form of the work. Here, I am no longer the absolute creator but someone who relinquishes part of my control. I have come to realize that creation is not about complete dominance, but about learning to coexist with the uncontrollable
“aranya · jingshanling Residency Program | Residency Work1”
**Year：**2025 **Title of the series:**Resonance of the Wild Materials: Paper, rocks, branches, fishing line, stainless steel, glue 150x150x30cm
https://mp.weixin.qq.com/s?__biz=Mzg5MzI0MzEyNQ==&mid=2247488363&idx=1&sn=ac3d67d68975ed10d7f1d51581893975&chksm=c03088f1f74701e7a9f92306db46235c0e8f038b852b2e8aea14df4bbc12591fc07c4a2f653a#rd阿那亚艺术驻留作品｜许三煌（Official Account Article）
This series of works stems from my experience of strolling through the mountains, where pine needles and specialty paper become the mediums for exploring the dialogue between body and environment. One by one, I embed the needles into the paper’s surface, their repetition echoing the rhythm of a stroll—each gesture an extension of a step, each mark carrying the drift of thought.A stroll may unfold in the mountains, or perhaps within the mind, upon a tree, within a single pine needle. In the quiet interplay of movement and repetition, body, material, and landscape merge, dissolving the boundaries between them.
“aranya · jingshanling Residency Program | Residency Work2”
**Year：**2025 **Title of the series:**A Stroll, Perhaps in the Mountains Materials: Paper, pine needles, glue (Variable Size)
https://mp.weixin.qq.com/s?__biz=Mzg5MzI0MzEyNQ==&mid=2247488363&idx=1&sn=ac3d67d68975ed10d7f1d51581893975&chksm=c03088f1f74701e7a9f92306db46235c0e8f038b852b2e8aea14df4bbc12591fc07c4a2f653a#rd阿那亚艺术驻留作品｜许三煌（Official Account Article）
Since 2022, I have been exploring the evolving possibilities between paper and my hands through daily practice. My creations extend from sketchbook notes, gradually forming independent entities—manifestations of thought. As the series developed, Leaves' Shadow Turns to Script became more than just a connection between myself and nature; it also reflects my understanding of the fluidity of plant life and intertwines with my emotional bond with my mother. The growth and transformation of plants embody time—nature’s response to its passage. In my work, I seek to explore the interconnectedness between humans and nature, between people and time, sensing how they weave into and influence one another. The circle is more than just a form; it is a philosophy of inclusivity. Like the ocean, it flows without sharp edges, yet holds symbolic and universal significance, allowing my creative language to remain free and vibrant.Over the past year, I have selected plant materials collected by my mother to create new works, ultimately shaping Leaves' Shadow Turns to Script 2024. This series is not just an observation of nature but an ongoing script of time and life.
**Year：**2024 **Title of the series:**Leaves' Shadow Turns to Script2024 Materials: Paper , glue and leaves (Variable Size)
https://mp.weixin.qq.com/s?__biz=Mzg5MzI0MzEyNQ==&mid=2247488363&idx=1&sn=ac3d67d68975ed10d7f1d51581893975&chksm=c03088f1f74701e7a9f92306db46235c0e8f038b852b2e8aea14df4bbc12591fc07c4a2f653a#rd《叶影成书2024》（Official Account Article）
Subtle, paper can stimulate human's subtle perceptions. Useless, indicating the function of this series of works. Eternal white, when a language keeps repeating, they cancel each other out and eventually return to zero. Translate ancient Chinese musical instruments in a contemporary way, breaking conventional definitions and transcending traditional thinking. Use sensory materials to construct rational images, presenting unusual sound effects.At the end of 2021, I was invited to participate in the Beijing Station exhibition of the Maywa Denki Art Exhibition, as a local Chinese collaborative artist, creating a series of sound-producing installations primarily using paper as the main medium.
**Year：**2021 Title of the series: Subtle，useless，eternal white Materials: Paper , glue , wood and aluminum Dimensions: 83H x 33W x 7D each
https://mp.weixin.qq.com/s?__biz=Mzg5MzI0MzEyNQ==&mid=2247487592&idx=1&sn=df48bbe383f2ebb4e28a1fd3ca88e641&chksm=c0308bf2f74702e40cc05af0cebd16448a6c432e12693a665c6682da3dad4440c8ca8a946bfb#rd（WeChat Official Account Article）
